Transatlantique - Guy de Cointet technology It is true that the

It is true that the irony seems cast in a terminal way: overwhelmed by the last days of humanity

kaleidoscopical impression

distorted and unrecognisable turn into surfaces and textures triggering our imagination and alluding to the Cosmic

Oriele Steiner

dead loved ones live again

Transatlantique - Guy de Cointet technology It is true that theGuy de Cointet (1934 1983) is a major figure in the conceptual and performance art movements. Originally from France, he moved to the United States in 1966, and remained an active member of the California art scene until his death in 1983. His multidisciplinary work has been the subject of renewed attention over the past twenty years. Rachel Valinsky invites seven artists based on both sides of the Atlantic to shed light on the impact of his work.