(2007) The Legacy Zsuzsanna Sirokay in the rhythms

in the rhythms

Although never ceasing to criticize herself with unjustified severity

in 1897 he was appointed its director

impressionist influences and his own unique musical language

The use of instrumental colors that he learned from Rimsky-Korsakov

(2007) The Legacy Zsuzsanna Sirokay in the rhythms*** Cl du Mois ResMusica *** At a dismal time of unadulterated virtuosity and product marketing; Michael Studers unique art is particularly comforting. Indifferent to trends; his piano and his music speak to the heart with candor and simplicity. Many performers; including some of the greatest; match themselves against the composer; attempting to impose and stage themselves. Michael Studer has chosen a different path. His sovereign mastery of his