Étretat, Normandy Still Lifes Although not from his WPA
Description
Although not from his WPA period this is a relatively early work and its appeal and ultimately its value is derived entirely from the subject
His paintings were visceral
that Codner had a particular attachment to this work
From the Collection of the Misses Elspeth and Phyllis Challoner
The creative elite had been holidaying or living there since the mid-nineteenth century and by the beginning of the next century it had become a relative safe-haven for the gay and lesbian community
Étretat, Normandy Still Lifes Although not from his WPA
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